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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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                <text>Tiberius</text>
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                <text>14-37 CE</text>
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                <text>Obverse:  Tiberius, laureate head, profile view. TI(BERIVS) CAESAR DIVI AVG(VSTI) F(ILIVS) AVGVSTVS: Tiberius Caesar, Son of the Divine Augustus, Augustus.</text>
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                <text>Reverse:  Pax seated, holding olive branch and scepter. PONTIF(EX) MAXIM(VS): pontifex maximus.</text>
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                <text>Style/Period:  Early Roman Empire</text>
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                <text>The obverse of this coin depicts the laureate head of Tiberius in profile view. Tiberius was born to Tiberius Claudius Nero and Livia Drusilla; however, Livia and her husband divorced, and Livia married Octavian (later Augustus), making Tiberius the step-son of the first emperor. Cassius Dio (57.8.1-2) states that Tiberius never allowed the title Augustus to be officially voted to him, but he clearly did not object strongly to its use by others as it is found repeatedly on coinage and in other circumstances. The connection between the two is also clear in Tiberius’s portrait style, which is highly idealized, a style which Augustus used throughout his reign. 
The reverse of the coin depicts a seated woman, most likely the goddess Pax or Peace, holding two of her popular attributes, an olive branch and a long scepter. Tiberius’s reign, though largely unpopular by the end, was relatively peaceful in terms of military conquests. Tiberius did not acquire any major territory for the empire nor engage in any major battles, which is possibly what this personification of peace is referring to. Pontifex maximus, the title given to the chief priest of Rome, was assumed by Tiberius on March 10, 15, which means that this coin must have been minted at least 7 months into Tiberius’s reign, which began September 17, 14. 

-- Anna Vogel, LU `18 

Bibliography: S. Hornblower and A. Spawforth, eds., The Oxford Classical Dictionary (Oxford 1996), s.v. Tiberius; J. M. Jones, A Dictionary of Ancient Roman Coins (London 1990), s.v. Pax; R. Seager, Tiberius (Berkeley 1972), xvi, 142-144. 
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                <text>91.117</text>
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              <elementText elementTextId="6255">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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                <text> Former collection of Ottilia Buerger. Purchased from L.S. Werner, March 2, 1959. </text>
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                <text>Gold Aureus of Tiberius, 7.57 g. </text>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Creator</name>
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                <text>Tiberius</text>
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                <text>14-37 CE</text>
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            <description>An account of the resource</description>
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                <text>Obverse:  Laureate head of Tiberius in profile view. TI(BERIVS) CAESAR DIVI AVG(VSTI) F(ILIVS) AVGVSTVS: Tiberius Caesar, Son of Divine Augustus, Augustus.</text>
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                <text>Reverse:  Seated Pax. PONTIF(EX) MAXIM(VS): pontifex maximus.</text>
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                <text>Style/Period:  Roman Empire</text>
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                <text>The obverse of this coin depicts Tiberius, who was emperor from 14-37 CE. Tiberius was the step-son of Augustus and served as the second emperor of Rome upon Augustus’s death. In this portrait, he wears a laurel wreath, a symbol of victory popular in Roman imperial portraits. Often this symbol did not appear at the beginning of a reign, indicating that this coin might have been minted later in Tiberius’s reign, as he would have had to earn the honor before it appeared on his coinage. Tiberius was not a blood-relative of Augustus, but his portrait connects him with Augustus through its idealized face and hairstyle.

The reverse of this coin shows a seated woman holding a long scepter and an olive branch. These attributes indicate that this is a personification of the goddess Pax, although some have posited that it was another important woman in Tiberius’s life, his mother, Livia. However, this seems unlikely, as Livia’s relationship with her son was not stable during his reign and she was not deified until the reign of Claudius. Tiberius assumed the title pontifex maximus in March of 15.

-- Anna Vogel, LU `18

Bibliography: N. H. and A. Ramage, Roman Art: Romulus to Constantine, 5th ed. (Upper Saddle River, NJ 2009), 151-152; S. Hornblower and A. Spawforth, eds., The Oxford Classical Dictionary (Oxford 1996), s.v. Tiberius, Livia (Drusilla); J. M. Jones, A Dictionary of Ancient Roman Coins (London 1990), s.v. laurel, Pax; R. Seager, Tiberius (Berkeley 1972), xv.</text>
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                <text>91.119</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6266">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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                <text>''</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6268">
                <text> Former collection of Ottilia Buerger. Purchased from Hesperia Art, January, 1959. </text>
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                <text>Silver Denarius of Tiberius</text>
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                <text>Tiberius</text>
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                <text>14-37 CE </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Augustus in quadriga with elephants. DIVO AVGVS(TO) S(ENATUS) P(OPVLVS)QVE) R(OMANVS): Divine Augustus, Senate and the people of Rome. </text>
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                <text>Reverse:  SC: Senatus Consulto: by decree of the Senate. TI(BERIVS) CAESAR DIVI AVG(VSTI) F(ILIVS) AVGVST(VS) P(ONTIFEX) M(AXIMVS) TR(IBUNICIA) P(OTESTATE) XXXIIX: Tiberius Caesar Augustus, son of Divine Augustus, pontifex maximus, with tribunician power for the 38th time.</text>
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                <text>Style/Period:  Roman Empire</text>
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                <text>The obverse of this coin depicts a quadriga pulled by four elephants, each with a rider. While the quadriga was used in all depictions of military triumph, the elephants were an honor reserved only for emperors. The only recorded triumph of Tiberius was in 7 BCE, well before he had assumed the title of emperor, and thus his chariot would have been drawn by horses rather than elephants. This shows that this coin depicts Augustus, although there is no indication as to which of Augustus’s triumphs this is. Augustus is depicted holding a laurel branch in one hand, a symbol of victory, and in the other hand he holds a scepter, a symbol of royalty. 

The reverse has the large letters SC in the center, the standard abbreviation on sestertii, with an inscription around giving the titles of Tiberius. The coin is slightly damaged, but it can be assumed that the abbreviation for Tiberius, TI, precedes the title of Caesar. The use of XXXIIX for 38 is unusual; Tiberius received the tribunician power for the 38th time in 36-37 CE.

-- Anna Vogel, LU `18

Bibliography: S. Hornblower and A. Spawforth, eds., The Oxford Classical Dictionary (Oxford 1996), s.v. Tiberius; J. M. Jones, A Dictionary of Ancient Roman Coins (London 1990), s.v. quadriga, SC, tribunus; C. H. V. Sutherland and R. A. G. Carson, The Roman Imperial Coinage, vol. 1 (London 1984), 98; R. Seager, Tiberius (Berkeley 1972), xv. 
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                <text>91.120</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6277">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6279">
                <text> Former collection of Ottilia Buerger. Purchased at Stack’s auction, March 12, 1971. </text>
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                <text>(Copper/bronze/brass) Sestertius of Tiberius, 28.19g</text>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Caligula</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>40 CE</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Laureate head of Caligula. C(AIVS) CAESAR AVG(VSTVS) PON(TIFEX) M(AXIMVS) TR(IBUNICIA) POT(ESTATE) III CO(N)S(VL) III: Gaius Caesar Augustus, pontifex maximus, with tribunician power for the third time, consul for the third time.</text>
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                <text>Reverse:  Radiate head of Augustus, DIVVS AVG(VSTVS) PATER PATRIAE: Divine Augustus, father of the country</text>
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                <text>Style/Period:  Early Roman Empire</text>
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                <text>The obverse of this coin depicts a laureate head of the emperor Caligula. The laurel was a symbol of victory, often awarded to emperors. The inscription around lists several of Caligula’s titles, including pontifex maximus, the chief priest of Rome, TR POT, “with tribunician power,” which indicated that Caligula had the power of the tribune, a Republican office inherited by the emperor. The coin indicates that Caligula received this title for the third time. It also lists consul, the highest political office in Rome, which he also received for the third time. This allows this coin to be dated to 40 CE, as Caligula rose to power and took the consulship for the first time in 37 CE. Caligula adopts the idealized, youthful portrait type of Augustus, in order to associate himself with his maternal great-grandfather.

The reverse depicts a radiate head of the Divine Augustus. The radiate crown was worn by the sun god Sol and was used to mark divinity on coins. The head is typical of portraits of Augustus, showing him as youthful and with his characteristic locks falling onto his forehead. The inscription lists one of Augustus’s titles, pater patriae, meaning father of the country, which he received in 2 BCE.

-- Anna Vogel, LU `18 

Bibliography: N. H. and A. Ramage, Roman Art: Romulus to Constantine, 5th ed. (Upper Saddle River, NJ 2009), 124-129; S. Hornblower and A. Spawforth, eds., The Oxford Classical Dictionary (Oxford 1996), s.v. Augustus, Gaius (1); J. M. Jones, A Dictionary of Ancient Roman Coins (London 1990), s.v. consul, laurel, tribunus, pater; C.H.V. Sutherland and R.A.G. Carson, The Roman Imperial Coinage, vol. 1 (London 1984), 109.
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                <text>91.125</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6288">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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                <text>''</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6290">
                <text> Former collection of Ottilia Buerger. Purchased from Edward Gans, January 1959.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Silver Denarius of Caligula, 3.80 g.</text>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Caligula</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>40 CE </text>
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            <description>An account of the resource</description>
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                <text>Obverse:  Laureate head of Caligula. C(AIVS) CAESAR AVG(VSTVS) PON(TIFEX) M(AXIMVS) TR(IBVNICIA) POT(ESTATE) III CO(N)S(VL) III: Gaius Caesar Augustus, pontifex maximus, with tribunician power for the third time, consul for the third time </text>
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                <text>Reverse:  Bare head of Germanicus. GERMANICVS CAES(AR) P(ATER) C(AIVS) CAES(AR) AVG(VSTVS) GERM(ANICVS): Germanicus Caesar, father of Gaius Caesar Augustus Germanicus </text>
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                <text>Style/Period:  Early Roman Empire</text>
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                <text>The obverse of this coin depicts Caligula (Gaius), the third emperor of Rome, who came into power upon Tiberius’s death. He has a laurel wreath on his head, a symbol of victory often used on the obverse of coins during the Roman Empire. As the inscription indicates, Caligula was given the title pontifex maximus as well as tribunician power and the consulship during his reign. He first took the consulship in 37 CE, which allows this coin to be dated to 40 CE. In the year 40 CE, he served as sole consul. Caligula’s portrait generally reflects the idealized style typical of the Julio-Claudians, but with the sunken eyes, “broad and forbidding forehead,” and perhaps a hint of the baldness that Suetonius mentions (Caligula, 50).
 
The reverse of the coin depicts Caligula’s father, Germanicus Caesar, with a bare head. Germanicus was adopted by his paternal uncle, the emperor Tiberius. During Tiberius’s reign, he led campaigns in Germany and elsewhere. It was while on the Rhine with Germanicus that Gaius earned the nickname “Caligula” meaning “little boot.” Germanicus’s portrait is also in the typical Julio-Claudian style. Caligula was still relatively young while he served as emperor, indicating that his portrait may be more truthful. However, Germanicus’s portrait is very similar to Caligula’s, with only some small indications of age, showing the idealization present on this coin. 

-- Anna Vogel, LU `18

Bibliography: S. Hornblower and A. Spawforth, eds., The Oxford Classical Dictionary (Oxford 1996), s.v. Gaius (1); J. M. Jones, A Dictionary of Ancient Roman Coins (London 1990), s.v. consul, laurel; D. Kleiner, Roman Sculpture (New Haven 1992), 126-127; C.H.V. Sutherland and R.A.G. Carson, The Roman Imperial Coinage, Vol. 1 (London 1984), 108-109.
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                <text>91.123</text>
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            <elementTextContainer>
              <elementText elementTextId="6299">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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                <text>''</text>
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                <text> Former collection of Ottilia Buerger. Purchased from Abner Kreisberg, April 1, 1960. </text>
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            <name>Title</name>
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                <text>Aureus of Caligula, 7.64 g.</text>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Caligula</text>
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                <text>39-40 CE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Laureate head, C(AIVS) CAESAR DIVI AVG(VSTI) PRON(EPOS) AVG(VSTVS) P(ONTIFEX) M(AXIMVS) TR(IBVNICIA) P(OTESTATE) III P(ATER) P(ATRIAE): Gaius Caesar Augustus, great grandson of Divine Augustus, pontifex maximus, with tribunician power for the third time, father of the country</text>
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                <text>Reverse:  S(ENATVS) P(OPVLVS) Q(VE) R(OMANVS)/ P(ATER) P(ATRIAE)/ OB CIVES/ SERVATOS in four lines, within oak wreath: The Senate and the People of Rome, pater patriae, for having saved the citizens</text>
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                <text>The obverse of this coin depicts the head of Caligula, third emperor of Rome, with a laurel wreath on his head. The inscription identifies him as the great-grandson of Divine Augustus. While Caligula was not the biological great-grandson of Augustus, his father, Germanicus, was adopted by Tiberius in 4 CE. Tiberius himself had been adopted by Augustus, after Augustus married Livia Drusilla, thus making Caligula the great-grandson of Augustus. In his portrait on the obverse, Caligula is depicted in the typical idealized Julio-Claudian style started by Augustus. However, Caligula was very young when he was emperor (his mid-late twenties), so it is possible this reflected more of his actual appearance, especially as it features the very broad forehead mentioned by Suetonios in his life of Caligula (50). 

The reverse of the coin has an inscription with an oak wreath around it. This oak wreath can be identified as the corona civica, or civic crown. The corona civica was granted by the Senate to citizens who had saved the lives of other citizens in battle. It was awarded to Augustus in 27 BCE. The inscription indicates that Augustus received this honor “for having saved the citizens,” that is by putting an end to a period of turbulence in Roman history and bringing peace to the new empire. This inscription fits also well with the obverse of the coin, and it is clear that Caligula was attempting to both honor Augustus and make his connection to him clear. 

-- Anna Vogel, LU `18

Bibliography: S. Hornblower and A. Spawforth, eds., The Oxford Classical Dictionary (Oxford 1996), s.v. Augustus, Gaius (1), Germanicus, Tiberius; J. M. Jones, A Dictionary of Ancient Roman Coins (London 1990), s.v. laurel, oak; D. Kleiner, Roman Sculpture (New Haven 1992), 126-127; C.H.V. Sutherland and R.A.G. Carson, The Roman Imperial Coinage, Vol. 1 (London 1984), 110-111.</text>
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                <text>91.126</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6310">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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                <text>''</text>
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              <elementText elementTextId="6312">
                <text> Former collection of Ottilia Buerger. Purchased from Coin Galleries, March 11, 1960. </text>
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                <text>(Copper/bronze/brass) Sestertius of Caligula, 28.87 g.</text>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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                <text>Gold Aureus of Diocletian </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Diocletian</text>
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                <text>Obverse: Diocletian in profile view, with a laureate head. DIOCLETIANVS AVGVSTVS: Diocletian Augustus.</text>
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                <text>Reverse: Man on horseback, raising right hand. COS (SVL) III: Consul for the third time.</text>
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                <text>Style/Period: Roman Empire</text>
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                <text>Diocletian was proclaimed emperor in 284 CE and ruled for over 20 years before abdicating in 305 CE. He came to power at the end of a great political upheaval in the Roman empire. In order to prevent the empire from slipping back into anarchy, he took measures to ensure that the empire would return to a strong central government. Among these was sharing control of the empire between four men, called the Tetrarchs, distributing the enormous burden of administration. He also transferred power into the Roman army, and the emperors were in direct control of the military, transforming the empire into a military dictatorship. This coin shows his reliance on that military infrastructure. The reverse has an image of Diocletian on horseback in a pose that is highly reminiscent of a general leading his troops. This would show the army that he is their leader, and the people that he is in direct command of the military. The COS III is a celebration that he was elected consul for the third time. At this point the Senate had virtually no power, and Diocletian’s role as a consul is indicative that the last vestiges of the Roman republic had been swept away.&#13;
&#13;
His portrait on the obverse shows how the Tetrarchy used art to project its power. Diocletian’s head is rectangular, and his eyes are large and deep-set. His chin is very pronounced, and he sports a military-style beard. Anyone who looked at the coin would see the face of a very powerful, disciplined man who is not to be crossed. Meanwhile, the beard further solidifies his connection with the military. In addition, to show the political unity of the Tetrarchy, there are almost no distinguishing characteristics between Diocletian and other Tetrarchs. If not for the inscription, there would be no way to tell that it is actually Diocletian. This was to show that the Tetrarchy was not four men ruling together, but four men acting as a single unified entity.&#13;
&#13;
--McKinley Breen, LU `21&#13;
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                <text>Bibliography: D. Kleiner, Roman Sculpture (New Haven 1992), 400-401; C. Foss, Roman Historical Coins (London 1990), 250-251; J.P.C Kent, Roman Coins (New York 1978), 48; L. Breglia, Roman Imperial Coins: Art and Technique (New York 1968), 202.</text>
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                <text>Former Collection of Ottilia Buerger. Purchased from Harlan Berk.</text>
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                <text>2001.098</text>
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                <text>Gold Aureus of Diocletian 4.94g</text>
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                <text>285-293 CE</text>
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                <text>Obverse: Laureate draped profile bust of Diocletian. IMP(ERATOR) C(AESAR) C(AIVS) VAL(ERIVS) DIOCLETIANVS AVG(VSTVS): Imperator Caesar Gaius Valerius Diocletian Augustus</text>
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                <text>Reverse: Jupiter facing left with thunderbolt in left hand and scepter in right. IOVI CONSERVAT(ORI) AVG(VSTVS): Jupiter, Conservator Augustus</text>
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                <text>Style/Period: Roman Empire</text>
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                <text>The obverse of this coin depicts the emperor Diocletian, who was proclaimed emperor in 284 CE and ruled until 305 CE, when he abdicated the throne. He came to power at the end of a great political upheaval known as the crisis of the third century. In order to help manage the sprawling empire, he made his colleague Maximian co-Augustus. To project as much power as possible the two emperors deified themselves. Diocletian made Jupiter, king of the heavens, his patron god, and Maximian made Hercules, king of the earth, his patron. This helped justify their actions and showed the world their strength, as the two emperors claimed to be living incarnations of the gods. Thus the statue of Jupiter on the reverse reads “IOVI CONSERVATOR AVG,” and implies that Jupiter is conserving, or protecting, the emperor and the empire as a whole. Therefore, due to this deification, Diocletian is only carrying out the desire of the gods.&#13;
&#13;
The reverse has a portrait of Diocletian. He wears a laurel crown and is draped in imperial garb. His face is in a transitional style of Roman coinage. At this time the individualizing characteristics of emperors were disappearing in order to show unity. His head is small and circular, with a long neck in the tradition of the military emperors who came before him during the crisis. The lack of any individually identifying characteristics and heavily incised neck-line shows this coin’s place in a transition from the instability of the past to the more stable future that Diocletian hoped to build.&#13;
&#13;
--McKinley Breen, LU `21</text>
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                <text>Bibliography: D. Kleiner, Roman Sculpture (New Haven 1992), 400-401; C. Foss, Roman Historical Coins (London 1990), 250-251; J.P.C Kent, Roman Coins (New York 1978), 46-48; L. Breglia, Roman Imperial Coins: Art and Technique (New York 1968), 201- 202.</text>
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                <text>Former collection of Ottilia Buerger. Purchased from Coin Galleries, July 24, 1959.</text>
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                <text>91.235</text>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Diocletian</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>294 CE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Laureate bust of Diocletian; DIOCLETIANVS AVG.</text>
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              <elementText elementTextId="6418">
                <text>Reverse:  Tetrarchs sacrificing over a tripod before the gate of a six-turreted structure; VICTORIA SARVAT.</text>
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                <text>Style/Period:  Roman Empire</text>
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                <text>Diocletian was proclaimed emperor on September 17, 284 CE. At the time the Roman empire had gone through 50 years of anarchy with dozens of claimants to the throne. However, Diocletian defeated the last of these soldier emperors in mid-285 CE and set about restoring the imperial power of Rome. These steps included expanding the imperial college from a single ruler to eventually four, in what we know as the Tetrarchy. The Tetrarchy used its coinage to show strength and unity. The obverse of this coin shows his portrait in full Tetrarchic fashion, with his eyes deep-set and his head almost rectangular, with a military-style beard and a strong jaw. It would have been the face of a very powerful and disciplined man. Additionally, there are almost no distinguishing characteristics between this portrait and those of other Tetrarchs, thus demonstrating their unity. 

The reverse of this coin also attempts to solidify the Tetrarchy’s unification and military might. All four of them are situated around a turreted enclosure, sacrificing on an altar. The enclosure is reminiscent of a military fort, thus showing their connection with the army, and they each wear military uniforms. Meanwhile the altar indicates their divine right to rule. Additionally, “VICTORIA SARMAT” is inscribed, meaning victory over the Sarmatians. They were a Steppe tribe in central Europe that had been attacking Roman territory for several decades. With this declaration he is able to show the people of the empire the Tetrarchy’s military success. Furthermore, just as the portrait has no distinguishing features, the same is true on the reverse. There is no way to distinguish the four men; they are even the same height. All of this was to project the power of the Tetrarchy. It was not four men ruling simultaneously, but four men ruling together as a single entity.

--McKinley Breen, `21

Bibliography: C. Foss Roman Historical Coins (London 1990), 250-251; C.H.V. Sutherland and R.A.G. Carson, The Roman Imperial Coinage, Vol. VII (London 1984), 442, 459; J.P.C Kent, Roman Coins (New York 1978), 46-48; L. Breglia, Roman Imperial Coins: Art and Technique. (New York 1968), 202.</text>
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              <elementText elementTextId="6421">
                <text>91.234</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6422">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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              <elementText elementTextId="6423">
                <text>''</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6424">
                <text> Former collection of Ottilia Buerger. Purchased from Fred Knobloch, February 1968.            </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Silver Argenteus of Diocletian, 3.11 g.</text>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="6426">
                <text>Maximian (Maximianus Herculeus)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6427">
                <text>294 CE</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Laureate head of Maximian (Maximianus Herculeus); MAXIMIANVS P F AVG.</text>
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              <elementText elementTextId="6429">
                <text>Reverse:  Fortification with open door and gate; three towers in front, two large towers with two small towers in between in back; VIRTVS MILITVM; PR in exergue.</text>
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                <text>Style/Period:  Roman Empire</text>
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                <text>Maximian, born around the year 250 CE, was emperor from 285 CE until 305 CE, during an era known as the Tetrarchy. This was a time when control of the Roman empire was shared between four men in order to distribute power and allow the empire to run smoothly. The obverse of the coin shows a very powerful figure in the style of the early Tetrarchy. Later on in the Roman and Byzantine Empires, portraits would become more and more abstract, but at this stage the abstraction is limited to exaggerating a few features to make the emperor seem more powerful. The square head and strong jaw-line show a man of strength, and the short beard would have been common on a soldier, signifying Maximian’s military roots. In the art of the Tetrarchy, the Tetrarchs were not four separate rulers, but four men carrying out the duties of the imperial office as one. Portraits of the various emperors have almost no distinctive features to reaffirm this unity.

The reverse reaffirms and strengthens the military might of the Tetrarchy. “VIRTVS MILITVM” has a double meaning. It means the “courage of the soldiers” and could mean that the coin is praising the army. However, all of the Tetrarchs came from the army, and the inscription could also be praising them. The imagery of this coin depicts a camp fort, made of stone. The fort indicates the presence of the Roman military while the stone shows its permanent presence. Permanent fortifications and walled cities became commonplace during the Tetrarchy to protect the fracturing empire.

--McKinley Breen, LU `21

Bibliography: D. Kleiner, Roman Sculpture (New Haven 1992), 400-401; C.H.V. Sutherland and R.A.G. Carson, The Roman Imperial Coinage, Vol. VI (London 1967), 351; C. Foss, Roman Historical Coins (London 1990), 254-255.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="6432">
                <text>91.237</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6433">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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              <elementText elementTextId="6434">
                <text>''</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6435">
                <text> Former collection of Ottilia Buerger. Purchased from Abner Kreisberg, June 30, 1960.            </text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="6436">
                <text>Gold Aureus of Maximian, Rome, 5.46 g.</text>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              <description>An account of the resource</description>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="6437">
                <text>Galerius (Galerius Maximianus)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6438">
                <text>293–295 CE</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="6439">
                <text>Obverse:  Laureate bust of Galerius; MAXIMIANVS NOB CAES.</text>
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              <elementText elementTextId="6440">
                <text>Reverse:  Jupiter standing facing, chlamys spread behind torso, right hand holding thunderbolt, left hand leaning on scepter, eagle at feet to left; IOVI CONS CAES; mint mark in exergue.</text>
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                <text>Style/Period:  Roman Empire</text>
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                <text>Galerius Valerius Maximianus, more commonly known as Galerius, was an emperor of Rome from 293 CE and 305 CE, during an era known as the Tetrarchy. The Tetrarchy began when the emperor Diocletian and his colleague Maximian realized that the empire was too large for a single emperor. As such Diocletian decreed that it would be ruled simultaneously by four men in order to handle the massive administrative and military responsibilities. Diocletian and Maximian were the senior emperors, or Augusti, with Galerius and Constantius as junior emperors, or Caesars. The reverse of this coin shows how the Tetrarchy used religion to cement its authority. Galerius and Diocletian used Jupiter as their patron deity, while Maximian and Constantius used Hercules. This helped to justify their actions, as they were sanctioned by the gods. On this coin “IOVI” or Jupiter is seen with a lightning bolt, scepter and eagle, which are all symbols of Jupiter.

The obverse does not use religion but the portrait itself to display power. The strong jaw and square head give the impression of a powerful figure. In addition, his beard is closely cropped and would have been common in the military, further showing his discipline and dominance. In their art the Tetrarchs removed many individualizing features to perpetuate the idea to the public that they were a single entity that ruled with divine authority.

--McKinley Breen, LU `21

Bibliography: D. Kleiner, Roman Sculpture (New Haven 1992), 400-401; C. Foss, Roman Historical Coins (London 1990), 260; H. Cohen, Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome (Chicago 1978), XLIII; J P.C. Kent, Roman Coins (New York 1978), 46; C.H.V. Sutherland and R.A.G. Carson, The Roman Imperial Coinage, Vol. VI (London 1967), 613.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="6443">
                <text>91.238</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6444">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
              </elementText>
              <elementText elementTextId="6445">
                <text>''</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6446">
                <text> Former collection of Ottilia Buerger. Purchased from Abner Kreisberg, January 30, 1960.        </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6447">
                <text>Gold Aureus of Galerius (Galerius Maximianus), 5.30 g.</text>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="6448">
                <text>Constantine I</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6449">
                <text>306–337 CE</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="6450">
                <text>Obverse:  Laureate and draped bust of Constantine I; CONSTANTINVS MAX AVG.</text>
              </elementText>
              <elementText elementTextId="6451">
                <text>Reverse:  Victory advancing with trophy and palm branch; VICTORIA CONSTANTINI AVG; MTS in exergue.</text>
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              <elementText elementTextId="6452">
                <text>Style/Period:  Roman Empire</text>
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              <elementText elementTextId="6453">
                <text>The obverse of this coin depicts Constantine the Great, who was emperor from 306 CE to 337 CE. He came to power at the end of what is known as the Tetrarchy, a period of time when the empire was ruled by four men simultaneously. He was the last man standing after the civil wars of the Tetrarchy and used that position to propel the Roman empire into the future. The Tetrarchy was often brutal and launched large persecutions against Christians. Additionally it had become embroiled in almost constant civil war, causing instability across the empire. Constantine managed to prevail and thrive by appealing to the growing Christian population and showed, usually through art, that the constant wars were finally over. In the Tetrarchy, in order to display authority, portraits were domineering, with harsh, deep-set eyes and military-style beards. However, the portrait of this coin’s obverse is very different. His eyes are soft and looking straight forward, as if to a higher ideal. He also removes the beard from his portraits, something that every emperor had worn for two hundred years. Thus he is distancing himself from the Tetrarchy and harkening back to a time when the emperors were considered better and the empire a more stable place. 

The reverse has an image of the personification of Victory, or VICTORIA. The trophy and palm branch are also symbolic of victory. Constantine used the symbol of Victoria extensively to continually remind the people of his triumph over the Tetrarchy. In fact he used it so much that it became permanently associated with him, and she was later transformed into an angel in Christian iconography, largely thanks to his toleration of Christianity and eventual conversion to the religion.

--McKinley Breen, LU `21

Bibliography: C. Foss, Roman Historical Coins (London 1990), 271, 274-275; C.H.V. Sutherland and R.A.G. Carson, The Roman Imperial Coinage, Vol. VII (London 1984), 491, 522; H. Cohen, Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome (Chicago 1978), XL; L. Breglia, Roman Imperial Coins: Art and Technique. (New York 1968), 216-218; J.P.C. Kent, Roman Coins (New York 1978), 48-52.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="6454">
                <text>91.239</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6455">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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              <elementText elementTextId="6456">
                <text>''</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6457">
                <text> Former collection of Ottilia Buerger. Purchased from Coin Galleries, March 13, 1959</text>
              </elementText>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6458">
                <text>Gold Solidus of Constantine I, 4.36 g.</text>
              </elementText>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Licinius I</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6460">
                <text>313 CE</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Obverse:  Laureate head of Licinius in profile view. LICINIVS P(IVS) F(ELIX) AVG(VSTVS). Licinius pious and happy Augustus</text>
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              <elementText elementTextId="6462">
                <text>Reverse:  Image of Victory setting a shield on a pillar. Inside the shield, VICTORIA AVG(VSTVS): Victorious Augustus. VOTIS V MVLTIS X: 5 years of rule and 10 years more. In exergue: SMAƐ, mint mark for Antioch</text>
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                <text>Style/Period:  Roman Empire</text>
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              <elementText elementTextId="6464">
                <text>Licinius was made an emperor in 308 CE and ruled until deposed by his co-emperor Constantine in 324 CE. He originally ruled during an era known as the Tetrarchy, where control of the empire was shared between four men. However, the Tetrarchy collapsed during the civil wars of the Tetrarchy, when Licinius and his co-emperor Constantine took control of the entire empire. Constantine eventually deposed Licinius some years later, but until that point the two split control of the empire, Licinius in the west, and Constantine in the east. The obverse shows a very distinct image of Licinius. His eyes are large and deep-set, and he has a very heavy, almost square jaw. Additionally, the face is looking down, as if looking down from the throne at onlookers. This is representative of late Roman portraiture, when the eyes of the emperors became bigger and the figures larger than life. Emperors were losing power and used art to assert dominance and prolong their illusion of control.

The reverse of this coin is a representation of a vota, a celebration of the emperor’s reign, and a prayer for its continuance. This particular coin was minted in 313 CE as a commemoration of the 5th year of Licinius’ reign and the vota celebration that came with it. The “VICTORIA AVG” and statue of Victory represent Licinius’ triumph in the civil wars that propelled him to become emperor.

--McKinley Breen, LU '21

Bibliography: D. Kleiner, Roman Sculpture (New Haven 1992), 400, 406-407; C. Foss, Roman Historical Coins (London 1990), 270-272; H. Cohen, Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome (Chicago 1978), XLV; J.P.C Kent, Roman Coins (New York 1978), 55, 327-328; L. Breglia, Roman Historical Coins: Their Art and Technique (New York 1968), 210.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="6465">
                <text>91.241</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6466">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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              <elementText elementTextId="6467">
                <text>''</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6468">
                <text> Former collection of Ottilia Buerger. Purchased from Abner Kreisberg, September 9, 1960.</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6469">
                <text>Gold Aureus of Licinius, 5.17 g.</text>
              </elementText>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="549">
                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="6470">
                <text>Diocletian</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6471">
                <text>287–290 CE</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6472">
                <text>Obverse:  Diocletian in profile view, with a laureate head. DIOCLETIANVS AVGVSTVS: Diocletian Augustus.</text>
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              <elementText elementTextId="6473">
                <text>Reverse:  Equestrian Diocletian, with right hand raised; COS III.Consul for the third time.</text>
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                <text>Style/Period:  Roman Empire</text>
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              <elementText elementTextId="6475">
                <text>Diocletian was proclaimed emperor in 284 CE and ruled for over 20 years before abdicating in 305 CE. He came to power at the end of a great political upheaval in the Roman empire. In order to prevent the empire from slipping back into anarchy, he took measures to ensure that the empire would return to a strong central government. Among these was sharing control of the empire between four men, called the Tetrarchs, distributing the enormous burden of administration. He also transferred power into the Roman army, and the emperors were in direct control of the military, transforming the empire into a military dictatorship. This coin shows his reliance on that military infrastructure. The reverse has an image of Diocletian on horseback in a pose that is highly reminiscent of a general leading his troops. This would show the army that he is their leader, and the people that he is in direct command of the military. The COS III is a celebration that he was elected consul for the third time. At this point the Senate had virtually no power, and Diocletian’s role as a consul is indicative that the last vestiges of the Roman republic had been swept away.

His portrait on the obverse shows how the Tetrarchy used art to project its power. Diocletian’s head is rectangular, and his eyes are large and deep-set. His chin is very pronounced, and he sports a military-style beard. Anyone who looked at the coin would see the face of a very powerful, disciplined man who is not to be crossed. Meanwhile, the beard further solidifies his connection with the military. In addition, to show the political unity of the Tetrarchy, there are almost no distinguishing characteristics between Diocletian and other Tetrarchs. If not for the inscription, there would be no way to tell that it is actually Diocletian. This was to show that the Tetrarchy was not four men ruling together, but four men acting as a single unified entity.

--McKinley Breen, LU `21

Bibliography: D. Kleiner, Roman Sculpture (New Haven 1992), 400-401; C. Foss, Roman Historical Coins (London 1990), 250-251; J.P.C Kent, Roman Coins (New York 1978), 48; L. Breglia, Roman Imperial Coins: Art and Technique (New York 1968), 202.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="6476">
                <text>2001.098</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6477">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
              </elementText>
              <elementText elementTextId="6478">
                <text>''</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6479">
                <text> Former collection of Ottilia Buerger. Purchased from Harlan J. Berk, Chicago,  IL                       </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6480">
                <text>Gold Aureus of Diocletian, Cyzicus, 5.29 g.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="549">
                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6481">
                <text>Constantinus I</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6482">
                <text>295–296 CE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6483">
                <text>Obverse:  Laureate head of Constantinus I; CONSTANTIVS N C.</text>
              </elementText>
              <elementText elementTextId="6484">
                <text>Reverse:  Hercules wrestling a stag; VIRTVS AVGG; TR in exergue.</text>
              </elementText>
              <elementText elementTextId="6485">
                <text>Style/Period:  Roman Empire</text>
              </elementText>
              <elementText elementTextId="6486">
                <text>This is a coin of Constantius Chlorus, known simply as Constantius I, who served as emperor from 293 CE to 306 CE, during a time known as the Tetrarchy. It was a period begun in 293 CE by Diocletian and his colleague Maximian, when four men ruled simultaneously in order to disperse the enormous burden of administering the empire. To assert their authority, the Tetrarchs used art and religion to propagate their message of unity and power. The obverse portrait of this coin shows how they used art to display unity by removing individualizing features of the emperors. The Tetrarchy’s philosophy was to have all four men rule as a single unified entity. If it were not for the inscription, there would be no way to identify the man in the portrait.

The reverse has an image of Hercules wrestling a stag. This image was used to associate the Tetrarchs to a mythological past, solidifying their dominance. The senior pair of the Tetrarchs made Jupiter, king of the heavens, their patron, while the junior pair used Hercules, king of the earth, as their patron. The two senior Tetrarchs were called Augusti and the junior Tetrarchs were called Caesars. At the time of this coin’s production, Constantius was a Caesar with Hercules as his patron. And yet, by declaring “VIRTVS AVGG,” which means “courage of the Augusti,” he is deferring power to his superiors and reaffirming their divinity. Through its imagery this coin propagates the idea that the Tetrarchy is a stable, singular enterprise that is endorsed by the gods themselves.

--McKinley Breen, LU `21

Bibliography: D. Kleiner, Roman Sculpture (New Haven 1992), 400-401; C. Foss, Roman Historical Coins (London 1990), 263; H. Cohen, Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome (Chicago 1978), XIX, XXI; C.H.V. Sutherland and R.A.G. Carson, The Roman Imperial Coinage, Vol. VI (London 1967), 173.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="6487">
                <text>2001.099</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6488">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
              </elementText>
              <elementText elementTextId="6489">
                <text>''</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6490">
                <text> Former collection of Ottilia Buerger. Purchased from Harlan J. Berk, Chicago,  IL                            </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6491">
                <text>Gold Aureus of Constantius I, Trier, 5.33 g.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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