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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Demetrios (Demetrius) I Soter, Syria</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2610">
                <text>155-154 BCE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  In laurel wreath, diademed head of Demetrios facing right.</text>
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                <text>Reverse:  Tyche seated facing left, holding short scepter in right hand and cornucopia in left hand; Nereid beside throne; monogram in left field. ΗΡΝ (the date in the Seleukid Era = 155-154 B.C.E.) in exergue; ΒΑΣΙΛΕΩΣ ΔΗΜΗΤΡΙΟΥ ΣΩΤΗΡΟΣ: of Demetrios the Savior.</text>
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                <text>Style/Period:  Hellenistic</text>
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                <text>Demetrios I Soter, the son of King Seleukos IV, was given over as a hostage to Rome in place of his uncle, who took the throne as Antiochos IV when Seleukos died. But when Antiochos died and his child was put on the throne, Demetrios escaped from Rome and in 162 BCE returned to claim the Seleukid throne. He set out to reconquer the Babylonian territory that had been lost to the kingdom, thereby earning the title Soter or Saviour. In 150 BCE Demetrios was killed in battle against a coalition of neighboring states. 
Demetrios' portrait on his early coins had appeared fairly realistic, but toward the end of his reign he introduced this idealized type, retaining something of the beaked nose of the earlier versions, but with the upward gaze and the anastole and flowing hair alluding to portraits of Alexander. The laurel wreath around the head refers to Apollo, the patron deity of the Seleukid dynasty down to the reign of Demetrios' father (see 91.090). The reference to Apollo is probably also meant to signal the return of legitimate rule, since Antiochos IV had made Zeus Olympios his patron deity. 
The figure on the reverse is Tyche or Fortune, a popular divinity of the Hellenistic period and patron goddess of the Seleukid capital of Antioch, where these coins were issued. She wears the turreted crown of the city goddess. 
-- Kristin J. Brainard Addington, LU '94

Bibliography: E.T. Newell, The Seleucid Mint at Antioch (New York 1918) 34-46; G.K. Jenkins, "Notes on Seleucid Coins," Numismatic Chronicle 19 (1951) 2-5. </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="2615">
                <text>91.092</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2616">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2617">
                <text> Former collection of Ottilia Buerger. Bought from Hesperia Art, Dec. 12, 1959.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text> Hellenistic, laurel wreath, diadem, Demetrios, Tyche, scepter, cornucopia, Nereid, Demetrios I Soter, Demetrius I Soter, Syria</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2619">
                <text>Silver Tetradrachm of Demetrios (Demetrius) I Soter, Syria, 16.24 g.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2598">
                <text>Antiochos (Antiochus) I Soter, Syria</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2599">
                <text>c. 264 BCE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Diademed head of Antiochos facing right</text>
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                <text>Reverse:  Apollo seated on omphalos facing left, holding arrow in right, with left resting on bow and quiver resting against omphalos; monograms in left and right fields; ΒΑΣΙΛΕΩΣ ΑΝΤΙΟΧΟΥ: of King Antiochos.</text>
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                <text>Style/Period:  Hellenistic</text>
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                <text>Antiochos I of Syria succeeded his father, Seleukos I, the founder of the Seleukid dynasty, in 280 BCE at the age of forty-four. Despite constant revolts and wars throughout his reign, he managed to secure his position and keep the kingdom intact. A great victory over the Galatians in 276 BCE earned him the title Soter or Savior. He was defeated by Eumenes I of Pergamon in 262 BCE and died in 261 BCE. 
Antiochos originally retained the old Alexander types on his coins, but he soon began issuing tetradrachms with his own portrait on the obverse. Although the head retains some aspects of Alexander's portrait type, particularly in the arrangement of the hair, it appears to be a realistic portrait of an older man, with emphasis on his deep-set eyes, sharp nose, and pursed lips. 
The depiction of Apollo on the reverse initiates the most common Seleukid reverse type. Although he had not put Apollo on his own coins, Seleukos I had established him as the patron deity of the Seleukid dynasty by building a grand shrine to Apollo at Daphni, near the capital, Antioch. The omphalos is criss-crossed with ribbons and refers to the sacred stone of the sanctuary of Apollo at Delphi that marked the center of the earth. The god holds his attributes, the bow and arrow, and seems to be testing the arrow in his right hand. These coins were issued by the mint at Seleucia-on-the-Tigris, and the types were continued under Antiochos II. 
-- Kristin J. Brainard Addington, LU '94

Bibliography: O. Mørkholm, Early Hellenistic Coinage from the Accession of Alexander to the Peace of Apamea (336-188 B.C.) (Cambridge 1991) 116. </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="2604">
                <text>91.090</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2605">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2606">
                <text> Ottilia Buerger bought from Hespeia Art, March 26, 1960.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="2607">
                <text> Hellenistic, diadem, Antiochos, Apollo, omphalos, arrow, bow, quiver, Antiochos I Soter, Antiochus I Soter, Syria</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2608">
                <text>Silver Tetradrachm of Antiochos (Antiochus) I Soter, Syria, 17.17 g.</text>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2587">
                <text>Seleukos (Seleucus) I Nikator, Syria</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 301 BCE</text>
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            <description>An account of the resource</description>
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                <text>Obverse:  Head of Seleukos or Alexander facing right, wearing helmet of leopard skin adorned with horn and ear of bull.</text>
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                <text>Reverse:  Nike crowning trophy of armor to right.; head of Helios below; monogram in right field; ΒΑΣΙΛΕΩΣ ΣΕΚΕΥΚΟΥ: of King Seleukos.</text>
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                <text>Style/Period:  Hellenistic</text>
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                <text>Seleukos I Nikator (Conqueror) was one of the generals of Alexander the Great and assumed control of Babylon after Alexander's death. By degrees he became ruler of Alexander's eastern dominions, with the exception of Egypt, defeating his rivals Demetrios and Lysimachos. In 305/04 BCE he assumed the title of basileus or king. Like the other successors of Alexander, Seleukos I initially issued coins with the types used in Alexander's coinage, but like the others also he soon issued coins with his own types and in his own name. 
The date and even the interpretation of these tetradrachms that he issued at Susa are uncertain. The youthful head on the obverse may be an idealized head of Seleukos incorporating some aspects of Alexander's portrait, but it has also been suggested that it is Alexander himself. The leopardskin of the helmet refers to the god Dionysos, whose attribute was a leopard and who, like Alexander and Seleukos, conquered India. The helmet recalls the lionskin cap worn by Herakles on coins of Alexander, and the bull's ear and horn recall similar divine attributes in portraits of Alexander (see 91.046). 
The reverse has also been variously interpreted. The trophy crowned by Nike consists of a tree trunk hung with a cuirass or breastplate, a helmet, and a shield, clear references to military victory. It is usually taken to refer to Seleukos' important victory over Antigonos Monophthalmos at the Battle of Ipsos in 301 BCE, but it has also been seen as a generalized reference to Alexander's and Seleukos' Indian victories. 
-- Kristin J. Brainard Addington, LU '94

Bibliography: R.A. Hadley, "Seleucus, Dionysos, or Alexander?," Numismatic Chronicle 1974, 9-13; O. Mørkholm, Early Hellenistic Coinage from the Accession of Alexander to the Peace of Apamea (336-188 B.C.) (Cambridge 1991) 72. </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="2593">
                <text>91.089</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2594">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2595">
                <text> Ottilia Buerger Collection bought from Hesperia Art, March 18, 1961.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="2596">
                <text> Hellenistic, Seleukos or Alexander, helmet, leopard skin, horn, Nike,armor, Helios, Seleukos I, Seleucus ,I Nikator, Syria</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Silver Tetradrachm of Seleukos (Seleucus) I Nikator, Syria, 17.0 g.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              <description>An account of the resource</description>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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        <name>Dublin Core</name>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2576">
                <text>Magnesia-on-Maeander, Ionia</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="2577">
                <text>c. 155-140 BCE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Bust of Artemis facing right, wearing stephane, bow, and quiver over left shoulder.</text>
              </elementText>
              <elementText elementTextId="2579">
                <text>Reverse:  Within wreath, nude Apollo standing to left on maeander, leaning on tripod to his left, filleted branch in right; to left, ΕΥΦΗΜΟΣ ΠΑΥΣΑΝΙΟΥ: Euphemos Pausaniou; to right, ΜΑΓΝΗΤΩΝ: of the Magnesians.</text>
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                <text>Style/Period:  Hellenistic</text>
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                <text>Magnesia-on-Maeander was an old Ionian city once located on the river Maeander, which is now silted up. In antiquity it was famous for its sanctuary of Artemis Leukophryene. It was made autonomous in the Treaty of Apamea in 188 BCE and issued its own wreathed tetradrachms in the middle of the second century. 
The obverse of the tetradrachms depicts a bust of Artemis wearing a stephane or crown and with her attributes, a quiver and bow, at her left shoulder. It was typical of the autonomous cities of the period to abandon portraits of Alexander and his royal successors and to resume use of the cities' main deities on their obverses. On the reverse is Artemis' brother, Apollo, also worshipped at Magnesia. He stands on the maeander, emblem of the city. To the left is the name Euphemos Pausaniou (Ephemos, son of Pausanias), one of eight names occurring on the reverses of Magnesia's tetradrachms. The significance of these men for the coinage of Magnesia is unclear. It has been suggested that they were officials of the mint or that they were liturgists, wealthy men who contributed materially to the city, in this case to the production of its coins, and who were then honored with the appearance of their names on the reverses. Euphemos may be the same man, apparently a prominent citizen of Magnesia, who was the recipient of a Magnesian honorary decree of uncertain date and who was a temple steward of the cult of Artemis Leukophryene in 138 or 132 BCE. The evidence of the seven hoards in which the Magnesian wreathed tetradrachms have been found suggests that they were issued from c. 155-140 BCE.
-- Carol L. Lawton

Bibliography: N.F. Jones, "The Autonomous Wreathed Tetradrachms of Magnesia-on- Maeander," American Numismatic Society Museum Notes 24 (1979) 63-109. </text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="2582">
                <text>91.082</text>
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                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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                <text> Former collection of Ottilia Buerger. Purchased from Münzen und Medaillen, 1973.</text>
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                <text> Hellenistic, Artemis, stephane, bow, quiver, wreath, Apollo, tripod, branch, Magnesia-on-Maeander, Ionia</text>
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                <text>Silver Tetradrachm of Magnesia-on-Maeander, Ionia, 16.77 g.</text>
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                <text>Mithradates VI the Great Eupator, Pontus (Pontos)</text>
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            <name>Date</name>
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                <text>75 BCE</text>
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                <text>Obverse:  Diademed head of Mithradates facing right.</text>
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                <text>Reverse:  In ivy wreath, grazing stag facing to left; in left field, star and crescent above monogram; in right field, BKS (date of the Bithynian Era = 75 B.C.) above monogram; ΒΑΣΙΛΕΩΣ ΜΙΘΡΑΔΑΤΟΥ ΕΥΠΑΤΟΡΟΣ: of King Mithradates Eupator.</text>
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                <text>Style/Period:  Hellenistic</text>
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                <text>Mithradates was a bitter enemy of Rome, with whom he fought three wars between 88 and 63 BCE He saw himself as the protector of the Greeks, who initially welcomed his attempts to stave off the Romans, but in the end his rule was oppressive, and he met resistance even in his own territory. At the height of his power he controlled much of Asia Minor and Greece, choosing Pergamon as his capital and royal residence. Rome eventually forced him to give up his conquered territory, pay a huge indemnity, and retreat to his original borders. He committed suicide in 63 BCE.
Since most of Mithradates' coins are dated, the origin of the types on this tetradrachm can be traced to 89/88 BCE, the year of his great invasion of Asia Minor. The clearly idealized portrait of Mithradates on the obverse makes a sharp break with the hard-bitten, realistic style of his predeces sors' portraits (see 93.011). In contrast to their foreign features, short beards, and long sideburns, Mithradates, over fifty at the time, appears youthful, clean-shaven, and Hellenized, with the flowing hair and upward gaze associated above all with portraits of Alexander the Great (see 91.046). The portrait type was probably intended to appeal to the Greeks of Asia Minor, to whom he wanted to appear as their saviour, the new Alexander. 
The stag on the reverse, an attribute of the Greek goddess Artemis, may have been intended to refer to her major cult and sanctuary in Ephesos in Asia Minor and thus again to appeal to the Greeks of the area. The star and crescent, perhaps a family device, represent the sun and moon and allude to the Persian worship of celestial bodies. The ivy wreath refers to Dionysos, Mithradates' patron deity, a Greek god but one associated with the East. 
-- Kristin J. Brainard Addington, LU '94

Bibliography: M.J. Price, "Mithradates VI Eupator, Dionysus, and the Coinages of the Black Sea," Numismatic Chronicle, 7th series, 8 (1968) 1-12.</text>
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                <text>91.078</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2572">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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            <name>Source</name>
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              <elementText elementTextId="2573">
                <text> Ottilia Buerger bought from Edward Gans, March, 1959.      </text>
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                <text> Hellenistic, diadem, Mithradates, ivy wreath, stag, star, crescent, Mithradates VI the Great Eupator, Pontus (Pontos)</text>
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                <text>Silver Tetradrachm of Mithradates VI the Great Eupator, Pontus (Pontos), 16.78 g.</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Mithradates III, Pontus (Pontos)</text>
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            <name>Date</name>
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                <text>c. 200 BCE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Draped and diademed bust of Mithradates III. </text>
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                <text>Reverse:  Zeus seated with eagle in right hand and scepter in left; star and crescent in left field; monograms in right field and beneath seat; ΒΑΣΙΛΕΩΣ ΜΙΘΡΑΔΑΤΟΥ: of King Mithradates.</text>
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                <text>Style/Period:  Hellenistic</text>
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                <text>The kingdom of Pontos on the Black Sea probably issued its first coins, gold staters of the type issued by Alexander, under Mithradates II, who was in power from c. 255 to 220 BCE His successor, Mithradates III (c. 220-185 BCE), introduced the first distinctive Pontic coins, tetradrachms with his portrait on the obverse. The portrait is one of the most striking in all of Hellenistic coinage. Although it must have been made by a Greek die-cutter, there is not a trace of the typical Hellenization that characterizes the coin portraits of most Hellenistic rulers. The presumably realistic head, with its receding hairline, deeply furrowed brow, drooping moustache, and close-cropped beard, is that of a barbarian proud of his non-Greek blood. Most of the inhabitants of Pontos were of Iranian descent, and although Mithradates himself married a Seleukid, the country for the most part remained stubbornly resistant to outside influence. 
In sharp contrast, the reverse depicts a seated Zeus clearly inspired by the reverses of Alexander's tetradrachms (see 91.053), although even here Mithradates has added something of his own, the star and crescent in the left field that will mark Pontic gold and silver coinage to the end. 
-- Carol L. Lawton

Bibliography: O. Mørkholm, Early Hellenistic Coinage from the Accession of Alexander to the Peace of Apamea (336-188 B.C.) (Cambridge 1991) 131. </text>
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                <text>93.011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2561">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2562">
                <text> Former collection of Ottilia Buerger. Purchased from Harlan Berk, 16-Nov-1989.                      </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2563">
                <text> Hellenistic, diadem Mithradates III, Zeus, eagle, scepter, star, crescent</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2564">
                <text>Silver Tetradrachm of Mithradates III, Pontus (Pontos), 16.55 g.</text>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              <name>Description</name>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Lysimachos (Lysimachus), Thrace</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>297-281 BCE</text>
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                <text>Obverse:  Head of Alexander facing right, with diadem and Ammon horns.</text>
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                <text>Reverse:  Athena Nikephoros seated facing left with spear and shield, holding Nike in right; in left field, torch; in exergue, maeander; ΒΑΣΙΛΕΩΣ ΛΥΣΙΜΑΧΟΥ: of King Lysimachos.</text>
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                <text>Style/Period:  Hellenistic</text>
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                <text> Lysimachos was a member of the bodyguard of Alexander the Great. In the division of the empire after Alexander's death, he was entrusted with Thrace and adjoining territory in the Euxine, and in the Battle of Ipsos in 301 BCE he acquired northwestern Asia Minor. Like the other successors of Alexander, he first issued coins with the types used by Alexander, but in 297 BCE he created new types, among them the obverse of this coin, one of the most influential images in Hellenistic coinage. 
The head is a portrait of the deified Alexander, with the royal diadem and the ram's horns that identify him as the son of Zeus Ammon. Lysimachos thus portrays Alexander as both his political ancestor and his patron god. The coins were issued at many mints (the maeander on the reverse indicates that this coin was issued at Magnesia-on-Maeander; see 91.082), and their Alexander portrait type with its divine attributes provided the prototype for depictions of divine rulers in later Hellenistic coinage. The coins continued to be issued after the death of Lysimachos and in some areas were as common as posthumous coins of Alexander. 
The reverse refers more specifically to Lysimachos. In her right hand, a seated Athena extends her Nike, who crowns the first letter of Lysimachos' name. The gesture is a probable reference to his victory at Ipsos. The lion's head on Athena's shield may also refer to Lysimachos; the forepart of a lion was his personal device. He participated in lion hunts with Alexander and supposedly once killed a lion with his bare hands. 
-- Kristin J. Brainard Addington, LU '94

Bibliography: M. Thompson, "The Mints of Lysimachos," Essays in Greek Coinage Presented to Stanley Robinson (Oxford 1968) 163-182; O. Mørkholm, Early Hellenistic Coinage from the Accession of Alexander to the Peace of Apamea (336-188 B.C.) 81.</text>
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                <text>91.046</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2550">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2551">
                <text> Former collection of Ottilia Buerger. Purchased from Hesperia Art, 1960. </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text> Hellenistic, Alexander, diadem, Zeus Ammon, horns, Athena Nikephoros, Lysimachos, Lysimachus, Thrace</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Silver Tetradrachm of Lysimachos (Lysimachus), Thrace, 17.09 g.</text>
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                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
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              <description>An account of the resource</description>
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                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2510">
                <text>Demetrios Poliorketes (Poliorcetes), Macedon (Macedonia)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 290 BCE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Obverse:  Diademed and horned head of Demetrios facing right</text>
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              <elementText elementTextId="2513">
                <text>Reverse:  Nude Poseidon standing facing left, with right foot on rock, right arm over right thigh, left holding trident; monograms in left and right fields; ΒΑΙΣΙΛΕΩΣ ΔΗΜΗΤΡΙΟΥ: of King Demetrios.</text>
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                <text>Style/Period:  Hellenistic</text>
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                <text>Demetrios was the son of Antigonos Monophthalmos (the One-eyed), who assumed control of Asia after the death of Alexander the Great. Demetrios earned his nickname Poliorketes (Besieger) from his extensive use of siege machines in an unsuccessful attempt to take the island of Rhodes in 305 BCE After their forces were defeated and Antigonos was killed at the Battle of Ipsos in 301 BCE, Demetrios fled with a large fleet and attempted to establish a base for his power first in Cilicia and then in Greece and Macedonia. Like other successors of Alexander, Demetrios at first issued coins with Alexander's types, although he quickly replaced Alexander's name with his own and added the royal title of basileus that both he and his father had assumed in 306 BCE Soon he established a number of his own types, culminating in the types for these tetradrachms, which were issued in large numbers from c. 290 BCE in preparation for Demetrios' invasion of Asia Minor. The invasion ended disastrously and Demetrios was imprisoned by Seleukos; he died in captivity in 283 BCE. 
On the obverse is a youthful, idealized head of Demetrios with the royal diadem and the horns of a bull, the animal sacred to Demetrios' patron deity, Poseidon. With these aspects of divinity Demetrios became the first of Alexander's successors to assimilate elements of Alexander's deified portrait (see 91.046) and the first living ruler to portray himself as a divinity on his coins. The bull's horns were intended to suggest that he stood in the same relationship to Poseidon as Alexander had to Zeus Ammon. The portrait is individualized, but the upward gaze and flowing hair are meant to evoke the image of Alexander. 
On the reverse is Demetrios' patron deity, Poseidon, apparently inspired by the original of the Lateran Poseidon, a statue usually attributed to Lysippos, the court sculptor of Alexander. Demetrios' association with Poseidon dated to his naval victory off Cyprus in 306 B.C., after which he considered himself lord of the sea. 
-- Kristin J. Brainard Addington, LU '94

Bibliography: O. Mørkholm, Early Hellenistic Coinage from the Accession of Alexander to the Peace of Apamea (336-188 B.C.) (Cambridge 1991) 77-81. </text>
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                <text>91.060</text>
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                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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                <text> Former collection of Ottilia Buerger. Bought from Münzen und Medaillen, 1971. </text>
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                <text> Hellenistic, diadem, horns, Demetrios, Poseidon, trident, Demetrios Poliorketes, Poliorcetes, Macedon, Macedonia</text>
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                <text>Silver Tetradrachm of Demetrios Poliorketes (Poliorcetes), Macedon (Macedonia), 17.21 g.</text>
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                <text> Alexander III, Macedon (Macedonia)</text>
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                <text>c. 332-323 BCE</text>
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                <text>Obverse:  Head of Herakles in lionskin cap facing right</text>
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                <text>Reverse:  Zeus enthroned facing left, holding eagle in right hand and scepter in left hand; rose in left field; ΔΙ - Ο beneath throne; ΑΛΕΞΑΝΔΡΟΥ: of Alexander.</text>
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                <text>Alexander the Great of Macedonia inherited his father's dream of conquering the Persian empire. Soon after his father's assassination in 336 BCE, Alexander led Greek and Macedonian forces into Asia Minor, sweeping down the coast and liberating its Greek cities from the Persians. He occupied Syria and Phoenicia and was accepted as pharaoh of Egypt. There he founded the important city of Alexandria and visited the oracle of Zeus Ammon, where he was recognized as a son of Zeus. He then turned eastward toward Mesopotamia, where he defeated the main army of the Persians. Finally, he pushed further eastward, beyond the Indus River, where in 327 BCE his exhausted troops forced him to turn back. On the return Alexander began to secure and organize his far-flung empire, but in the summer of 323 BCE he died of fever in Babylonia.
Alexander reformed Macedonian coinage, instituting types that would be circulated throughout his empire long after his death. The most important were the types on his tetradrachms, which soon replaced the Athenian "owls" (see 91.069) as the most widely circulated coins of antiquity. On the obverse is the head of Herakles, reference to his family's claim of descent from the hero. Alexander was particularly devoted to Herakles and in time came to be identified with him. Whether the features of Herakles on the coins were subtly altered to those of Alexander in his lifetime is uncertain, but after his death the image was widely regarded as a portrait of Alexander. His father's use of the head of Zeus on his staters may have inspired Alexander to put a full figure of Zeus on the reverse, but the god acquired particular significance for him after the visit to the oracle. Greeks recognized the figure as their chief god, but to the inhabitants of Persian lands it could also represent their god Baal, also depicted enthroned with an eagle and scepter. 
The hundreds of small symbols and letters on the coins of Alexander and his successors are probably control marks of particular issues, apparently a system to safeguard the production of the coins. The marks on this coin indicate that it was struck at Memphis during Alexander's lifetime.
-- Kristen L. Ratwik Lamppa, LU '93

Bibliography: M.J. Price, The Coinage in the Name of Alexander and Philip Arrhidaeus (Zurich and London 1991) 498 no. 397, pl. CXIV. </text>
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                <text>91.053</text>
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            <elementTextContainer>
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                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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              <elementText elementTextId="2504">
                <text> Former collection of Ottilia Buerger. Bought from Bank Leu, 1971.</text>
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                <text> Hellenistic, Herakles, lion skin cap, Zeus, eagle, scepter,  Alexander III, Macedon (Macedonia)</text>
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                <text>Silver Tetradrachm of Alexander III, Macedon (Macedonia), 17.21 g.</text>
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                <text>Alexander III, Macedon (Macedonia)</text>
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                <text>c. 323-317 BCE</text>
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                <text>Obverse:  Head of Herakles in lionskin cap facing right.</text>
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                <text>Reverse:  Zeus enthroned facing left, holding eagle in right hand and scepter in left hand; flying Nike with wreath in left field; monogram beneath throne; in exergue, Σ; ΒΑΣΙΛ[ΕΩΣ Α]ΑΕΞΑΝΔΡΟΥ: of King Alexander.</text>
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                <text>The new silver tetradrachms of Alexander the Great were issued on the authoritative Attic weight standard, and they soon replaced the Athenian "owl" tetradrachms (see 91.069) as the most widely circulated coins in the ancient world. When Alexander died in 323 BCE, his empire was divided among his generals and associates, who for many years fought among themselves to maintain and extend their respective kingdoms. But Alexander's successors and the cities he conquered continued to issue coins in his name, undoubtedly because their connection with Alexander made them immediately recognizable as good money. These posthumous coins were issued side by side with the cities' own coins and with the coins issued in the names of Alexander's successors.
The posthumous coins closely resembled Alexander's issues, but with minor stylistic changes and different symbols. This tetradrachm was issued in Tarsos, a strategic Hellenized city in Cilicia, which was captured by Alexander in 333 BCE Its marks include the Nike flying in the left field and the monogram beneath the throne on the reverse. The coin also illustrates an important feature of many of the posthumous issues: Alexander is given the title basileus or king. The title may have been used as early as 329 BCE, but it became common in the posthumous issues, following the tradition of Alexander's successors who soon put the title on their own coins (see 91.060, 91.046, 91089, 91.096). And although the head of Herakles on the obverse of these coins continues unchanged, there can be little doubt that the head was now regarded as a portrait of Alexander, since by this time his successors, following Persian practice, had adopted the tradition of putting their own images on their coins. 
-- Kristen L. Ratwik Lamppa, LU '93

Bibliography: M.J. Price, The Coinage in the Name of Alexander and Philip Arrhidaeus (Zurich and London 1991) 376 no. 304, pl. LXXXVI.</text>
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                <text>91.051</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2503">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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              <elementText elementTextId="2505">
                <text> Former collection of Ottilia Buerger. Bought from Münzen und Medaillen, 1971.</text>
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                <text> Hellenistic, Herakles, lion skin cap, Zeus, eagle, scepter, Nike, wreath, Tarsos, Tarsus, Cilicia</text>
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                <text>Silver Tetradrachm of Tarsos (Tarsus), Cilicia, 17.17 g.</text>
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                <text>Syracuse, Sicily, Italy</text>
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            <name>Date</name>
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                <text>c. 405-400 BCE</text>
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                <text>Obverse:  Victorious quadriga facing left; cuirass, helmet, shield, and greaves in exergue; below, ΑΘΛΑ: prizes.</text>
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                <text>Reverse:  Head of Arethusa facing left, with band and net holding hair, surrounded by four dolphins; ΣΥΡΑΚΟΣΙΩΝ: of the Syracusans.</text>
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                <text>Style/Period:  Greek (ancient)</text>
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                <text>This coin is attributed to the master engraver Kimon, whose works, like those of the other great Syracusan engraver, Euainetos, were imitated by the mints of other cities. The obverse, as in the reverse of his dekadrachm with the facing Arethusa (see 91.007), depicts a racing quadriga. The charioteer and the front horse cross the beaded outline of the coin and seem to break free of the framing constraints. The composition has smooth modeling and intricate details.
The military equipment along with the word "prizes" in the exergue had long led numismatists to associate them with the booty awarded as prizes in games celebrating the Syracusan victory over Athens in 413 BCE There is, however, no evidence for the games, and it is now generally believed that the coins are later, possibly issued by Dionysios I to celebrate the failed Carthaginian attack on Syracuse in 405 BCE
On the reverse is the Syracusan nymph Arethusa, for whom the fresh water spring on the Syracusan island of Ortygia was named. The dolphins encircling her head probably refer to the location of the spring on the island. On this coin Arethusa wears an ampyx or hairband, on which Kimon frequently signed his name, and has the rest of her hair caught up in an intricate net.
-- Kelly Swett Riordan, LU '93

Bibliography: G.E. Rizzo, Monete greche della Sicilia (Rome 1946), 50.6; J.H. Jongkees, The Kimonian Decadrachms (Utrecht 1941) 11.</text>
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                <text>91.033</text>
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            <elementTextContainer>
              <elementText elementTextId="2473">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
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                <text> Former collection of Ottilia Buerger. Ex Pennisi collection; Bank Leu, 1973.</text>
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                <text> Greek, horse, quadriga, cuirass, helmet, shield, greaves, Arethusa, dolphins, Syracuse, Sicily, Italy</text>
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                <text>Silver Dekadrachm of Syracuse, Sicily, Italy, 43.15 g.</text>
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                <text>Velia, Lucania, Italy</text>
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              <elementText elementTextId="2445">
                <text>c. 485-465 BCE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2446">
                <text>Obverse:  Quadriga facing right and driver; Nike crowning horses.</text>
              </elementText>
              <elementText elementTextId="2447">
                <text>Reverse:  Head of Arethusa facing right, surrounded by four dolphins; ΣΥΡΑΚΟΣΙΟΝ: of the Syracusans. </text>
              </elementText>
              <elementText elementTextId="2448">
                <text>Style/Period:  Greek (ancient)</text>
              </elementText>
              <elementText elementTextId="2449">
                <text>Gelon, tyrant of Gela, captured Syracuse and transferred his capital there in 485 BCE With his defeat of the Carthaginians in the Battle of Himera in 480 B.C. he acquired considerable wealth, which resulted in the massive production of these tetradrachms.
This coin illustrates the two themes that became commonplace in Syracusan coins and influenced the coinage of other Sicilian cities. The obverse depicts a quadriga or four-horse chariot with Nike crowning its horses in victory. The quadriga originally may have referred to the favorite pastime of the Syracusan aristocracy, the Gamoroi, who bred horses and sent chariots to compete in the Olympic games, but on these coins it may also refer specifically to an Olympic victory of Gelon in 488 BCE.
The representation of Arethusa on the reverse refers to her legendary connection with Syracuse. A nymph of Elis in the Peloponnese, she was pursued by the river god Alpheios. To escape him, she withdrew under the sea, finally emerging at Syracuse. She was transformed into the fresh water nymph of the island of Ortygia, the earliest settled portion of Syracuse. The dolphins encircling her on the coin perhaps refer to the location of her spring on Ortygia, surrounded by the sea. Although the coin dates from the Early Classical period, it retains characteristics of the Archaic style, in the linear, patterned detail of the bodies of the charioteer and horses on the obverse and in the almond eye and Archaic smile of Arethusa on the reverse.
-- Kelly Swett Riordan, LU '93

Bibliography: E. Boehringer, Die Münzen von Syrakus (Berlin-Leipzig 1929) 312.</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2450">
                <text>91.029</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2451">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2452">
                <text> Former collection of Ottilia Buerger. Bought from Edward Gans, Jan. 1959.       </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2453">
                <text> Greek, quadriga, horse, Nike, Arethusa, dolphins, Syracuse, Sicily, Italy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2454">
                <text>Silver Tetradrachm of Syracuse, Sicily, Italy, 17.33 g.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="549">
                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2433">
                <text>Olympia, Elis, Greece</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2434">
                <text>c. 400-380 BCE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2435">
                <text>Obverse:  Eagle's head facing left, poplar leaf below.</text>
              </elementText>
              <elementText elementTextId="2436">
                <text>Reverse:  Thunderbolt with wings on one end and volutes on the other, the whole in olive wreath; ϝ/A: abbreviations for ϝΑΛΕΙΩΝ, an archaistic spelling for "of the Eleians."</text>
              </elementText>
              <elementText elementTextId="2437">
                <text>Style/Period:  Greek (ancient)</text>
              </elementText>
              <elementText elementTextId="2438">
                <text>The city of Elis was founded in 471 BCE as a result of the synoecism or merger of neighboring towns. Its importance as a mint in the Classical period stemmed from its control of the festival games at the sanctuary of Zeus and Hera at Olympia. From the time of its foundation until it became dependent upon Macedon at the end of the fourth century B.C., it issued a series of silver staters of high artistic quality that should probably be seen more as souvenirs of the festival than as the normal trade coinage of Elis. Two mints have been identified with this coinage, one under the charge of the Temple of Zeus issuing obverse types with attributes of Zeus and, from the end of the fifth century B.C., a second mint attached to the Temple of Hera producing coins with obverse types related to her (see 91.074). 
The most common types for the staters of the fifth and early fourth centuries were a number of different versions of the primary symbols associated with Zeus, the eagle and the thunderbolt. The obverse of this coin depicts a magnificent eagle's head, and beneath it a poplar leaf. Although not legible on this coin, in other examples of this die the letters DA, possibly an artist's signature, are visible in the center of the leaf. 
-- Rebecca H. Luhmann Levine, LU '93

Bibliography: C. Seltman, The Temple Coins of Olympia (Cambridge 1921) 154.</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2439">
                <text>91.073</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2440">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2441">
                <text> Former collection of Ottilia Buerger. Bought from Spink and Son, 1972. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2442">
                <text> Greek, eagle, leaf, thunderboltd, oilve wreath, Olympia, Elis, Greece</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2443">
                <text>Silver Stater of Olympia, Elis, Greece, 12.08 g.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="549">
                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2422">
                <text>Olynthos/Chalkidian League, Macedon (Greece)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2423">
                <text>c. 360 BCE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2424">
                <text>Obverse:  Wreathed head of Apollo facing right.</text>
              </elementText>
              <elementText elementTextId="2425">
                <text>Reverse:  Lyre; ΧΑΛΚΙΔΕΩΝ: of the Chalkidians.</text>
              </elementText>
              <elementText elementTextId="2426">
                <text>Style/Period:  Greek (ancient)</text>
              </elementText>
              <elementText elementTextId="2427">
                <text>Olynthos was one of several towns founded by the Euboian city Chalkis in the three-fingered peninsula in southern Macedonia that became known as the Chalkidike. In the early years of the Peloponnesian War several of the cities in the Chalkidike formed the Chalikidian League, which was based in Olynthos and which issued its own federal coinage. The coinage of the League began c. 432 BCE, but it was only c. 420 BCE that its most well-known coins, the tetradrachms, appeared. On the obverse was the patron deity of the League, Apollo, the major deity of its mother city, Chalkis, and on the reverse one of his major attributes, the lyre. The coins can be dated by stylistic changes in the head of Apollo and, in many cases, by magistrates' names on the reverses.
The tetradrachms continued as an important regular series until the coinage of the League ended with the rise of Philip II of Macedon, who completely destroyed Olynthos and dissolved the League in 348 BCE Philip, however, acknowledged the importance of the coins for the area when he adopted the League's main coin type, the head of Apollo, for his own gold coins.
--Peter A. Martens, LU '96

Bibliography: D.M. Robinson and P.A. Clement, Excavations at Olynthos IX: the Chalcidic mint and the excavation coins found in 1928-1934 (Baltimore 1938). </text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2428">
                <text>91.049</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2429">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2430">
                <text> Former collection of Ottilia Buerger. Bought from Bank Leu, 1972.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2431">
                <text> Greek, Apollo, lyre, Olynthos, Olynthus, Chalkidian League, Macedon, Macedonia, Greece</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2432">
                <text>Silver Tetradrachm of Olynthos (Olynthus)/Chalkidian League, Macedon (Macedonia), Greece, 14.29 g.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="207" public="1" featured="0">
    <fileContainer>
      <file fileId="245">
        <src>https://thor.lawrence.edu/omeka/buerger/files/original/9df726bd4be608125d823a39f3e7bab6.jpg</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Otillia Buerger Collection of Ancient and Byzantine Coins</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="549">
                  <text>More coming soon... complete collection available on&lt;span&gt;&lt;span&gt; ArtStor&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2411">
                <text>Cnidus (Knidos), Caria, Turkey</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2412">
                <text>c. 520-490 BCE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2413">
                <text>Obverse:  Forepart of lion facing right.</text>
              </elementText>
              <elementText elementTextId="2414">
                <text>Reverse:  In incuse square, head of Aphrodite facing right.</text>
              </elementText>
              <elementText elementTextId="2415">
                <text>Style/Period:  Greek (ancient)</text>
              </elementText>
              <elementText elementTextId="2416">
                <text>Knidos was a Greek colony in southwestern Asia Minor, situated partly on the mainland and partly on an island connected to it with two moles. Its harbor and location made it an important port. Knidos was part of a federation of six neighboring cities (including Lindos, Kamiros and Ialysos on Rhodes, and Kos and Halikarnassos) called the Dorian Hexapolis. The coinage of Knidos begins in the late sixth century BCE and consists mostly of drachms. 
The images on Knidian coins refer to the city's major cults. On the obverse is the forepart of a lion, attribute of Apollo. In Knidos he was worshipped as the sun god Triopian Apollo; every four years the federation met in his sanctuary for the Dorian Games in his honor. The other major cult at Knidos was that of Aphrodite Euploia, the aspect of the goddess which protected ships and seafaring. The head of Aphrodite appears on the reverse. The style of the reverse, with its old-fashioned incuse square and Aphrodite's frontal eye and bead-like hair, are evidence of a date in the Archaic period of Greek art. 
-- Rebecca H. Luhmann Levine, LU '93

Bibliography: H.A. Cahn, Knidos: die Münzen des sechsten und des fünften Jahrhunderts v. Chr. (Berlin 1970) pl. 3, no. 46</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2417">
                <text>91.084</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2418">
                <text>Wriston Art Center Galleries, Lawrence University, Appleton, WI,wriston-gallery@lawrence.edu,920-832-6890</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2419">
                <text> Former collection of Ottilia Buerger. Ex Massachusetts Historical Society collection; Stack's, 1971.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2420">
                <text> Greek, lion, Aphrodite, Cnidus, Knidos, Caria, Turkey</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2421">
                <text>Silver Drachm of Cnidus (Knidos), Caria, Turkey, 6.15 g.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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